Prof Nicholas Till
| Post: | Pierre Audi Chair in Opera and Music Theatre, University of Amsterdam (Drama) (School of Media, Arts and Humanities) |
| Other posts: | Director and Leverhulme Research Fellow (Centre for Research in Opera and Music Theatre) |
| Emeritus Professor (School of Media, Arts and Humanities) | |
| Location: | SILVERSTONE |
| Email: | N.Till@sussex.ac.uk |
Biography
I am a historian, theorist and practitioner working in opera, music theatre and related cross-disciplinary arts.
I studied History and Art History at Cambridge (BA/MA), and then worked professionally in theatre for fifteen years. I was awarded a doctorate in music by the University of Surrey in 1999 for my bookÌýMozart and the Enlightenment (1992). In 2004 I joined the Music Department at Sussex from Wimbledon School of Art in London, where I was Course Leader for the MA in Scenography, and also taught history, theory and practice in theatre, visual art, film and video, also having taught theatre studies at Queen Mary, University of London.Ìý
During my career as a theatre and opera director I worked for most of the main UK opera companies, and was also responsible for a number of independent premieres, including the first UK productions of Viktor Ullmann's Terezin opera The Emperor of Atlantis (Imperial War Museum, 1985)Ìýand Cavalieri's sacred drama La rappresentatione di anima e di corpo of 1600 (London International Opera Festival, St Martin in the Fields, 1989). I have worked as a writer and director of new works for the English National Opera Studio, Royal Opera Garden Venture, Stuttgart Opera, Festival Rhizome Rennes,ÌýDMCEÌýParis, etc. I have also worked as a director of community and education projects in music, opera and theatre for Glyndebourne Opera, National Theatre, Barbican Centre, Royal Opera, English National Opera, etc. In 1986 I mounted what is now recognised to have been the first large-scale devised community opera project in the UK, commissioned by two London boroughs and presented in Covent Garden Piazza with 200 performers. I have also published widely about the theory and practice of education and community arts.
I have worked extensively as a broadcaster for radio and TV, contributing to review programmes such as Front Row and Nightwaves, writing and presenting talks, features and documentaries for Radios 3 and 4, and acting as consultant and presenter for theÌýTV documentary 'The Great Composers: Mozart"Ìý(Omnibus, BBC 2, 1997).ÌýÌýÌý
Since 1998 my artistic activities have included work as co-artistic director of the experimental music theatre company ,Ìýworking in both performance and audio-visual installation. The work of Post-Operative Productions was discussed on the BBC Radio 3 arts programme Nightwaves in 2003, and in 2004 the company was shortlisted for the Samuel Beckett Award for experimental theatre. Our 2007 installationÌý'The National Taste' was commissioned by English Heritage forÌýat Belsay Hall in Northumberland.
MyÌýtheatre work is discussed in two chaptersÌýentitled ‘Per un teatro post-operistico. Adorno, Badiou, Till’' and 'Nicholas Till e l'(anti)manifesto'Ìýin Francesco Ceraolo's ,Ìýpublished by Bulzoni (Rome)Ìýin 2011, which includes a complete translation into Italian of my 2004 manifesto for a post-operatic music theatre entitled "I don't mind if something's operatic, just as long as it's not opera". Ìý Ìý
I have taught at institutions such as the Royal College of Music, Britten-Pears School Aldeburgh, Cal Arts (Los Angeles) and Stanford University. In 2001 I was Visiting ProfessorÌýin Opera at UCLA (Los Angeles), in 2006 I gave the Neumann Lectures at the University of Richmond in Virginia, and in 2014 I was a visiting professor at the University of Malta and the University of Amsterdam.Ìý
I am Director of the Centre for Research in Opera and Music Theatre, and I hold the first Chair in Opera and Music Theatre in the UK.Ìý
Between 2009-2012 I was Director of Doctoral Studies for the School of Media, Film and Music. Between 2012-2015 I held a Leverhulme Major Research Fellowship to undertake research for a book on early opera and early modernity. From 2016-2018 I was Director of Research for the School of Media, Film and Music. From Autumn 2019 I will take up a new position as Pierre Audi Chair at the University of Amsterdam and the Dutch National Opera alongside my post at Sussex.Ìý
As of November 1st 2024 I have assumed the titles of Emeritus Professor of Opera and Music Theatre at ÅÝܽ¶ÌÊÓƵ, and Emeritus Professor of Opera and Music Theatre at the University of Amsterdam.Ìý
I continue to be research active.Ìý
Ìý
Role
Emeritus Professor of Opera and Music Theatre
Emeritus Professor of Opera and Music Theatre, University of Amsterdam
Community and Business
I regularly give talks at opera, theatre and music events in the UK and Europe, and contribute frequently to TV and radio arts programmes.